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14/10/2021 Melbourne International Jazz Festivals Deferred to December 2021

With stay-at-home orders continuing across the original October dates, and with the safety of all staff, artists and audience members front of mind, Melbourne International Jazz Festival has today announced that while it won’t be proceeding as scheduled, there’s light on the horizon for Victorian jazz fans in 2021.
As the city once again opens up this year’s festival will go ahead with a full program of live events across new dates from Thursday 2 – Sunday 5 December. Over a jam-packed four-day long weekend, the festival will reactivate the city with more than 70 performances and events, celebrating the best of Melbourne’s world-renowned jazz scene.
Melbourne International Jazz Festival Artistic Director Michael Tortoni said “The live experience is just so important to this artform and we want to give our audience the chance to see the artists they love – live and on stage. We toyed with the idea of an all-online festival for October, and there will of course be an online component during the new dates as the times demand, but we know how much audiences are itching to get out, back into venues and have those experiences that can only exist in a festival context. With the opportunity to do all of that just around the corner, it’s a move we’re excited to make.”
With international travel arrangements remaining complex and in the absence of a New Zealand bubble, the festival’s Big Sunday event headlined by Fat Freddy’s Drop will now take place as part of the 2022 Melbourne International Jazz Festival with the same line-up on October 15, which is a Saturday. Still as big as ever – audiences just get a sleep in the next day.
Big Sunday ticket-holders have automatically been shifted to this date and refunds are also available via Ticketek.
The updated 2021 Melbourne International Jazz Festival program will be announced on Thursday 21 October, with tickets back on sale from Friday 22 October.

14/10/2021 Hilary Geddes wins Freedman Jazz Fellowship

The Winner of the 2021 Freedman Jazz Fellowship is:
 HILARY GEDDES, guitar

  www.hilarygeddes.com  
Sydney-based guitarist and composer, Hilary Geddes, has been announced as the winner of the 2021 Freedman Jazz Fellowship, valued at $21,000. A versatile artist who has gained a reputation for her work in the jazz, indie-rock and art-music sector, Hilary represents an exciting future for Australian jazz.  
In a period where women are having an important and lasting impact on the global jazz scene, it was significant that three of this year's four finalists were female. Hilary joins the 2020 winner, bassist Helen Svoboda, as the fourth young woman to win this prestigious award since Andrea Keller received the inaugural Jazz Fellowship in 2001.
After several months of lock-down, the distinguished judges were trumpeter Nadje Noordhuis, saxophonist Loretta Palmeiro, pianist Stu Hunter and guitarist Ben Hauptmann who each appreciated the opportunity to experience the extraordinary musical talent that is flourishing in Australia. 
On behalf of the judging panel, Loretta Palmeiro said “The level of musicianship, imagination and ambition of the four Freedman finalists was truly inspiring. Each finalist showed an impressive level of thought and original creative process in their music making, and we anticipate great things from each of them, as they continue to develop their individual practices.”
The decision to award Hilary the 2021 Fellowship was unanimous. Palmeiro says “Hilary is an intelligent and highly imaginative musician, and a sophisticated composer with an effortless flair for story-telling and the communicating of place through her music. Her distinctive voice, her extensive vocabulary as a jazz guitarist and her ability to communicate brilliantly across diverse styles is world class. Our only regret was to be unable to see the finalists perform due to lockdown restrictions. This is undoubtedly the best part of the Freedman Fellowship competition and we look forward to the return of the live element next year.
 
Director of The Music Trust, Dr Dick Letts said of the 2021 Jazz Fellowship:   
The young candidates for the Freedman Jazz Fellowship reveal the cutting edge of jazz in Australia. It being jazz, they mostly are not only performing it, but inventing it through composition and improvisation, and the Freedman candidates do that superbly.  
With her Fellowship, guitarist Hilary Geddes is taking her band across the Riverina for performances and workshops, fostering a home-grown musical culture from the ground up, and simultaneously building the achievement of the band. 
ABOUT HILARY GEDDES
Multidisciplinary guitarist originally from rural NSW,  Hilary Geddes  moves easily between jazz, indie rock and commissioned art music. Her Freedman fellowship means Hilary can organise a regional tour of the Riverina, Goulburn and Canberra with her band, the Hilary Geddes Quartet.
The tour will involve liaising with local arts organisations such as Western Riverina Arts and Eastern Riverina Arts, regional conservatoriums, and schools to give workshops as well as performances. The band will also spend five days at The Cad Factory in the Riverina Arts Centre to rehearse and record new works written as part of the Fellowship. The recording will be released as the new album for the Hilary Geddes Quartet album with shows in Sydney and Melbourne to follow.
Hilary recalls growing up in Griffith. A deep appreciation of music came from her parents, with family trips to Bluesfest at Easter forming a definite effect on her music.  “I started learning the guitar when I was six years old, and piano a few years later. I didn’t have a consistent guitar teacher until I moved to Sydney but I did have a fantastic piano teacher, Mrs Dawn Beaumont-Stevens, who really opened my ears to classical piano music and was very patient with me, especially when it came to sight reading! 
At Griffith High School, I encountered lots of incredible musicians who had remarkable aural skills and loved jamming and exploring grooves. Much of my guitar-learning came from trying to work out songs by ear so I could play with them.  I was always confident that music would be part of my life, although I don’t think I really committed to the idea of it being a career until I was accepted at the Sydney Conservatorium in 2014”.
Hilary will be featured in “Visions of Nar” at the Sydney Opera Houses’ Utzon Room on Friday November 19 as part of the Sydney International Women’s Jazz Festival.
ABOUT THE FREEDMAN JAZZ FELLOWSHIP:
The Freedman Jazz Fellowship is amongst the most prestigious award in Australia for a jazz musician. Ordinarily the winner is decided at a concert of the finalists at the Sydney Opera House. This year, it was not possible to hold a concert so the decision was made through consideration of recordings, written proposals for projects on which a candidate would spend the prize should they win, and interviews. For the first time the finalists were offered the services of a mentor to further refine and develop their project proposals.
The Jazz Fellowship is funded by the Freedman Foundation, a philanthropic foundation chaired by Laurence Freedman, which assists young Australians in music and visual arts, as well as providing support to medical and scientific programs. Laurence and Kathy Freedman were made Members of the Order of Australia for service to the community, to medical research, the arts, and to business and investment in Australia. The Fellowships are managed by The Music Trust and administered by the Sydney Improvised Music Association.   
Past winners of the Freedman Jazz Fellowships include guitarists Ben Hauptmann and James Muller, saxophonists Julien Wilson, Andrew Robson and Matt Keegan, pianists Andrea Keller, Matt McMahon, Marc Hannaford, Aaron Choulai, Tal Cohen and Novak Manojlovic, trumpeters Nick Garbett and Phil Slater, bassists Christopher Hale and Helen Svoboda, vocalist Kristin Berardi and drummer James McLean .

14/10/2021 Frank Presley’s Now’s the Time Shuffles to 7pm Tuesdays 99.3

After several years in the popular drive time slot on Northside Radio, Now’s the Time has shuffled down the line to an evening time slot of 7-9pm.  This year Now’s the Time celebrates it’s 20th year on Northside Radio and its 29th year on community radio stations in New South Wales.  Tune in at 7:30pm for ‘Talking Jazz’, Sinatra at 8, Tuesday Night Live at 8:15pm and at 8:33 1/3 the Microgroove Wax track of the week.
Northside FM 99.3
Stream live at www.northsideradio.com.au
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