ÿþ<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN"> <html> <head> <title>Jazz and Beyond - the Number One Australian music e-zine. News, gig guides, reviews, interviews.</title> <meta name="description" content="Jazz and Beyond - Gateway to Australian Jazz and Blues. 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Poetry and jazz are his driving interests, and he has also written a biography of the jazz musician, Bernie McGann. He organises poetry readings and jazz events in Canberra. These events are known as Poetry at the Gods and the happen on evenings early each month.<br> Page has held residencies at numerous academic, military and political institutions, including Edith Cowan University, Curtin University, the Australian Defence Force Academy, and the University of Wollongong and as the Chair of the Australian Socialist Alliance. From 1974 to 2001 Page was head of the English department at Narrabundah College, a secondary college in the A.C.T.. He retired from teaching in 2001.<br> He has travelled widely, talking on Australian poetry in Switzerland, Britain, Italy, Singapore, China, the United States and New Zealand. His poetic style ranges from lyrical to satirical, from serious to humorous and often addresses his concerns about contemporary society and politics.<br> Page is the poetry reviewer for ABC Radio's The Book Show and, for a decade before that, its Books and Writing program.<br> Australian poet, John Tranter, in his 1983 review of The Younger Australian Poets (edited by Robert Gray and Geoffrey Lehmann) wrote of Page:<br> He is not a self-promoter, and his modest output has been inadequately represented in recent anthologies, as the editors of this one quite properly point out. His poetry has been influenced loosely by the American William Carlos Williams. In general, the spare precision of Williams' short lines is a good preventive against galloping garrulity, and in Page's hands it delivers a </td></table> <font color=#4F2727> dry and particularly Australian accent and a thoughtful movement from phrase to phrase. The short line, as a model, can be overdone: 'of 3 a.m.' is an example that does little for me. Page's technique is low-key  his French and American influences are invisible in the texture of his localised speech  yet it enables him to range widely among language and experience.<br><br> <b>Awards and nominations</b><br> Queensland Premier's Literary Awards for Poetry<br> 2001: Patrick White Award<br> 2001: Grace Leven Prize for Poetry, for Darker and Lighter<br> 2004: ACT Writing and Publishing Awards for poetry for The Indigo Book of Modern Australian Sonnets (editor)<br> 2006: Christopher Brennan Award <p><b>"Geoff Page is no mere jazz aficionado. Nor is he simply a connoisseur. Over 50 years ago, jazz grabbed him, as it does with many, but few with such a tight grasp, and it seems to have consumed him. Being inspired is one thing but Page lives and breathes jazz with a belief consubstantial with JC; read John Coltrane. With this edition, his poetry covers artists as diverse as John Lewis, Hampton Hawes and Joe  Be-Bop Lane. His short sharp stabbing lines are bursting with not only insight but a fellow artist's empathy. As a lover of jazz I can relate to much of Page s reflections, celebrations and sometimes frustrations in these rhythmic and often melodic verses"</b> - Peter Wockner </font> <table class="maintext" cellpadding="7" width=80%> <td width=50% valign=top> <p><b>A Manual of Style for Bernie McGann</b> <p>Gruff at times but not ill-mannered <p>A hint of old-time dancing but <br> the flattened fifths as well <p>Laconic, yes, but savage too <p>Angular, with no glass broken <p>Sad though far from sentimental <p>Aged but never out of date <p>Metallic but with friendly alloys <p>Unique but straight on down the strait <p>Legato, yes, for preference<br> but still there at the turns. <p>The low notes hoarse the high no less so <p>Harmony remembered and euphony forsworn <p>The late-night book of smoky clichés<br> always pushed away <p>Minor third without the third<br> as T. Monk used to say. <p><i>A Manual of Style selected for <a href=http://www.blackincbooks.com/books/best-australian-poems-2011 target=_blank>Best Australian Poems 2011 Ed. John Tranter</a></i> </td> <td valign=top> <p><b>Jazz/Poet</b> <p>he scrawled<br> a sudden<br> sentence in<br> the air <p>violent yet<br> articulate <p>I snatched<br> a phrase <p>and took<br> it home<br> to work on <p>but<br> by dawn <p>it was<br> dead. <p><i>Jazz / Poet previously appeared in <a href=http://www.extempore.com.au/?page_id=13 target=_blank>Issue 1 of extempore</a></i> </td> </table> <!--////////////////////////////////////////////////////////////////////////////--> <A NAME="TomAndersen">&nbsp;</A><hr width="100%" size="3" color="brown"><br> <table class="maintext"><td><img src=bitmaps/art/TomAndersen.jpg width=175></td><td><b><a href=http://www.andersenart.com.au target=_blank">Tom Andersen</a></b> spent his early years in Denmark and arrived in Australia in 1950. He attended the Friends School in Hobart, Tasmania where he began learning trumpet and had his first job at the Tasmanian Museum. Then in 1960 he was offered a position at the British Museum of Natural History in London as an expedition artist. During this time he continued his trumpet studies and then became conservator at the University of Aarhus in Denmark where he was very involved with the jazz scene. He held his first exhibition of jazz musicians in Copenhagen which was opened by his friend Don Byas who used to come up from Amsterdam. Tom returned to Tasmania in 1970 and opened an art gallery in Hobart and one in the Sheraton Hotel. He lives in the foothills of Mount Wellington and continues to paint for the private and corporate market having held forty four solo exhibitions in Australia, USA and Europe. His son Soren is a jazz pianist living in Copenhagen.</td></table> <b><i>"Christiania jazz", "Jazz after dark", "Chasin the bird", "Some other spring", "Waiting for Lester"</i></b> <table class="maintext" align=center width="100%"> <td><img src=bitmaps/art/christiania-jazz.jpg height=160 hspace="5"></td> <td><img src=bitmaps/art/jazz-after-dark.jpg height=160 hspace="5"></td> <td><img src=bitmaps/art/chasin-the-bird.jpg height=160 hspace="5"> <td><img src=bitmaps/art/some-other-spring.jpg height=160 hspace="5"></td> <td><img src=bitmaps/art/waiting-for-lester.jpg height=160 hspace="5"></td> </table> <b><i>"Andrea Keller Quartet", "Bernie McGann Quartet", "Mike Nock Trio", "Ornithology"</i></b> <table class="maintext" align=center width="100%"> <td><img src=bitmaps/art/AndreaKellerQuartet.jpg height=170 hspace="5"></td> <td><img src=bitmaps/art/BernieMcGannQuartet.jpg height=170 hspace="5"></td> <td><img src=bitmaps/art/MikeNockTrio.jpg height=170 hspace="5"></td> <td><img src=bitmaps/art/ornithology.jpg height=170 hspace="5"></td> </table> <!--////////////////////////////////////////////////////////////////////////////--> <A NAME="HowardGraham">&nbsp;</A><hr width="100%" size="3" color="brown"><br> <table class="maintext"> <td width=40% valign=top><img src=bitmaps/HowardGraham.jpg width=300></td> <td width=60% valign=top><b>Howard Graham</b><br><br> Accomplished as a poet of soul and uncanny perception, Howard Graham has been published internationally three times. However, Howie Graham is always a singer first that plays guitar preferring to perform his own music. Howie found the improvisation of jazz intriguing and challenging. Since first hearing jazz in 1992 on community radio, a gradual but solid appreciation began. Musical education and recording became a passion and Howie completed two Contemporary Music courses while recording and collaborating with many artists. Howie s first recordings were in Aquarius Studios Sydney in 1995 with Gavin Drew. Howie performs as a solo artist. His instrumentation with guitar and trumpet continues as well as his understanding of jazz. Inspired by Miles Davis, The catholics and many talented artists in Australian jazz; his interests grew in self expression through vocals and trumpet.<br><br> Howie, now living in Yamba NSW frequently visits Sydney for the jazz scene. As a singer songwriter, Howie continues to write music and record music with roots from poetry and self expression. </td> </table> <table class="maintext" width=100%> <td width=33% valign=top> <br><b>James Muller</b><br> On the back of an envelope:<br> You don t feel I m important.<br> So if I disagree.<br> You really think I belong somewhere<br> But where, you don t believe.<br> I believe, I believe, I believe<br><br> In the hands that climb,<br> sky birds that dive,<br> and clouds that escape the hill,<br> where the grass has met the moon.<br> On an all night still.<br> Can you feel me now? </td> <td width=33% valign=top> <br><b>Bobby Gebert</b><br> There is a spot inside my head,<br> that no one understands.<br> Every time,<br> I try to blend,<br> no one understands.<br> But I m still here,<br> I m still in front of you!<br> Can you see me?<br> I feel that you can! There!<br> there is everything,<br> through my hands!<br> I know you,<br> I am waiting. </td> <td width=33% valign=top> <br><b>Lily Dior</b><br> In dark silouette of the night sky,<br> two thirds the moon.<br> Stars that shine.<br> Not dull but bright be the night sky.<br> Stark,<br> among the still clouds, are moving stars,<br> alight is the cosmic sky,<br> with dance and song.<br> It is this, I enjoy.<br> </td> </table> <table class="maintext" width=100%> <td width=50% valign=top> <br><b>Matt McMahon</b><br> In silent wonder,<br> a seat in another time.<br> Consideration of this and that,<br> contemplation of white and black.<br> From a pool of silence,<br> there comes a mode.<br> In genius song, colour code.<br><br> Touch the mist of everything<br> And sweetness,<br> feel the taste of sound.<br> Like a breeze through a flowering tree,<br> or a mast challenged by a furious sea.<br> Life in movement until the end,<br> will feel you have a lasting zen. </td> <td width=50% valign=top> <br><b>Vince Jones</b><br> I m serious!<br> What have you done tonight?<br> There s a choice and,<br> I choose something I like!<br> Yeah something good,<br> something funky!<br> Feels good when I m in the zone.<br><br> Don t want to leave but,<br> the squeeze is on!<br> Yeah I m in the zone!<br> I can hear, that s what I do.<br> That s what I am,<br> Not far from you!<br> </td> </table> <!--////////////////////////////////////////////////////////////////////////////--> <!-- <A NAME="PWockner">&nbsp;</A><hr width="100%" size="3" color="brown"><br> <table class="maintext"><td><img src=bitmaps/FrankPresley.jpg width=180></td><td><b>Peter Wockner's</b> love of jazz music was spawned unwittingly by growing up listening to his father's mammoth record collection in Goombungee on Queensland's Darling Downs.<br> The sounds of Ray Price, Graeme Bell, Bob Barnard, Art Pepper, Jacques Loussier amongst others were always prevalent despite the lack of live music. A frustrated musician, it wasn't until 1991 at the age of 24 when Peter commenced an ongoing dedication to radio broadcasting from various community radio stations on the NSW north coast using the unlikely pseudonym of Frank Presley.<br> He currently broadcasts his long running program 'Now's the Time' from Sydney's FM 99.3 on Sunday nights, which features local and international jazz and in depth interviews.</td></table> <table class="maintext"><td>He commenced photographing jazz musicians at a very early age during performances at the annual Manly Jazz Festival. Inevitably, his curiosity for international jazz scenes took him to New York and Europe in the 1990's visiting celebrated environs such as the Village Vanguard, the Bimhaus, the New Morning and Ronnie Scotts where he photographed jazz greats such as Lionel Hampton, Sonny Rollins, Dave Holland, Cassandra Wilson and many others.</td></table> <table class="maintext"><td><a href=bitmaps/art/GoldMan.jpg target=_blank><img src=bitmaps/art/GoldMan.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></a></td><td><a href=bitmaps/art/MinusSoup.jpg target=_blank><img src=bitmaps/art/MinusSoup.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></a></td> <td> 'Gold Man' is actually a photo of powerful trumpeter Scott Tinkler. This picture, I feel builds upon the theme of his bold album cover of the 1990's where his statuesque figure is emblazoned with gold paint.<br><br> 'Minus Soup' is a recognition of the glowing trumpet playing of Warwick Alder, who appeared many times at the now defunct Sydney jazz club 'Soup Plus' and a lament for the loss of yet another stage on the Sydney jazz scene.</td></table> <table class="maintext"><td> Matthew Ottignon's face takes on elements of cubism in this photo entitled 'MO' and I liken his approach to improvisation in a similar way, when he expresses a minimalist theme from so many different perspectives.<br><br> Again at Birdland and James Ryan's silver horn becomes translucent in a fleeting sweep of sound. His facial silhouette, in contrast seems like a solid musical foundation against the rapidly moving sound from his horn.</td><td><a href=bitmaps/art/MO.jpg target=_blank><img src=bitmaps/art/MO.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></a></td><td><a href=bitmaps/art/Translucence.jpg target=_blank><img src=bitmaps/art/Translucence.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></a></td></table> <table class="maintext"><td><a href=bitmaps/art/HoldOn.jpg target=_blank><img src=bitmaps/art/HoldOn.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></a></td><td><a href=bitmaps/art/LeadMan.jpg target=_blank><img src=bitmaps/art/LeadMan.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></a></td><td> This is a photo of Matt Keegan taken at Birdland record store. I entitled it 'Hold On' because to me, his saxophone is about to blast off. It was early in the lunch time gig and indeed he was about to take off. In full flight, he contorts his body in an elongated way and here his image is exaggerated to the extent where it conjures the idea of the horn as an extension of the man.<br><br> 'Lead Man' is a picture of US great Dave Liebman who visited Australia a couple of years ago. While his is not a commanding physical presence on stage, his inspirational musical direction was enough to give me the title for this picture where I think his explosive range of ideas are reflected in this blaze of colour.</td></table> --> <!--//////////////////////////////////////////////////////////--> <A NAME="OMalley">&nbsp;</A><hr width="95%" size="3" color="brown"> <table align=center cellpadding="5" cellspacing="0" width="95%" class="maintext"> <tr> <td><br> <b>"I come from a very musical family and I love many different styles of music. In the last eight years or so however, I have become particularly fond of jazz and blues especially the post 1950's era of American music and even a lot of contemporary jazz being played today.This led to the current infatuation with transferring some of my jazz heroes to large canvas or as works on paper, and has become the music of choice when I am painting or drawing. My interest in jazz even led to me taking up tenor and alto saxophone a few years ago& .much to our cat's disapproval, I might add! <br> I find a lot of correlations between art and music and I have been fortunate enough to be able to mix both pleasures for my jazz-art series "Jazz Is Art, Art Is Jazz". </b> </td></tr><tr><td> <table class="maintext"><td><img src=bitmaps/jazzisart.jpg height=160></td><td><b>Leith O'Malley</b> was born into a family of musicians in Mount Barker, South Australia. Much to his mothers' discomfort, he arrived with pencil in hand.<br> His passion for drawing came at a very early age, being influenced by the illustrative style and cartoon work of American "Mad Magazine", and later by notable Australian newspaper cartoonist Paul Rigby, Michael Leunig and American Illustrator Rick Griffin. <br> Leith's early work in the city of Adelaide included freelance illustration contributions to various magazines, before moving to country South Australia in 1986. Leith made the transition from line to brush in the early nineties after workshops with "George Gittoes". George is a renowned Australian artist who has won the prestigious "Blake and Wynne" Prize for art and has also held the position of official Australian War Artist. <br><i>"Jazz is Art"</td></table> <table class="maintext"><td> Soon after these workshops, Leith co-founded the "Red Dust Contemporary Art Group" in Whyalla, exhibiting artwork throughout regional and metropolitan galleries.<br> Since this time Leith has continued painting and exhibiting his work, holding a number of commissions for artwork and being invited to contribute to several touring exhibitions. His artwork has been used to promote various Jazz events including Adelaide Jazz Festival and the "Rio-Havana-New York" Jazz Festival held in Moscow during November 2004. He was also the feature artist in a recent edition of the Australian art magazine "Artist's Palette" and provided the cover art for a 2006 American jazz compilation release.<br> <i>"Night hawk", "Jazz man"</td><td><img src=bitmaps/nighthawk.jpg height=160></td><td><img src=bitmaps/jazzman.jpg height=160></td></table> <table class="maintext"><td><img src=bitmaps/raycharles.jpg height=160></td><td><img src=bitmaps/milesdavis.jpg height=160></td><td><img src=bitmaps/coltraneartjazz.jpg height=160></td><td> His traditional and computer illustrated work is also popular with both Australian and International media and business organizations.<br> Clients who have used Leith's digital artwork work have included the"Rio-Havana-New York" Jazz Festival (Moscow), Guenette Production Company (Los Angeles), Le'Mag Magazine (France), BHP (Australia), Tokyo Electron (Texas), Bristol University (UK) and even the United States Coast Guard. <br> <i>"Ray Charles", "Miles Davis", "Coltrane"</td></table> <table class="maintext"><td>Leith is currently preparing artwork for a Sydney showing in 2006 along with more work for his ongoing series "Jazz Is Art, Art Is Jazz" which is a collection of both oil and pastel works with a jazz theme. A huge contemporary and traditional jazz fan, his love of this music led him to take up the tenor saxophone a few years ago and it is the music of choice when he is working on many of his paintings these days. <br> Much of Leith's work including previews of his current series can be found on <a href="http://www.leithomalley.com" target="_blank"> his website.</a> </td><td><img src=bitmaps/jazztrip.jpg width=350></td></table> <table class="maintext"><td><img src=bitmaps/bassplayer.jpg height=160></td><td>&nbsp;&nbsp;&nbsp;<img src=bitmaps/nojazz.jpg height=160></td><td>&nbsp;&nbsp;&nbsp;<img src=bitmaps/fatduck.jpg height=160> </td><td><i>"Jazz Girl"<br>"No jazz next 420km"<br>"Fat Duck"</td></table> <!--////////////////////////////////////////////////////////////////////////////--> <A NAME="OToole">&nbsp;</A><hr width="100%" size="3" color="brown"><br> <table class="maintext"><td><img src=bitmaps/LindaOToole.jpg width=250 style="{border:1px #a52a2a solid;}"></td><td><b>Linda O'Toole </b>has always loved music, playing the guitar and singing just for fun. As a teenager Linda sang at weddings and school functions. So when the younger of her 2 boys started pre-school, instead of going back to nursing, she took some local watercolour classes and had some singing lessons to hone her skills. She discovered jazz quite late, in her 30's in fact. Within a few years Linda was out gigging at cafes, restaurants and doing concert gigs at the Brass Monkey, Cronulla with Tony Ansell and band. She learnt classical violin for 4 yrs before switching to jazz piano, which she's been learning for a few years now. Linda also writes songs and poetry and has written a few children's books, which she has yet to illustrate.</td></table> <table class="maintext"><td> <b>"My passion is watercolour portraits and so it was a natural progression to paint jazz musicians and combine the two. I have been painting for about 15 years. After learning basic watercolour technique, life drawing andvarious master classes, I went on to teach myself portraiture."</b><br> Linda has exhibited works in the Doubly Gifted Exhibition, Waverley, The Royal Easter show, local art exhibitions and has had work in Knapp's cafe Jannali for 2 years. She started teaching watercolours in 2005, which has funded her first art exhibition (May, 2006) at Mary Place Gallery, Paddington .<br> "I have painted 24 paintings, mostly of people I know and have had the great pleasure to work with." <br> Works can be viewed on <a href="http://www.lindaotoole.com" target="_blank">Linda's website</td></table> <table class="maintext" align=center> <td><img src=bitmaps/Lotoole7.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></td> <td><img src=bitmaps/Lotoole10.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></td> <td><img src=bitmaps/Lotoole5.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"> <td><img src=bitmaps/Lotoole25.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></td> <td><img src=bitmaps/Lotoole17.jpg height=160 style="{border:1px #a52a2a solid;}" hspace="5"></td> </table> <table class="maintext" align=center> <td><img src=bitmaps/Lotoole9.jpg height=140 style="{border:1px #a52a2a solid;}" hspace="5"></td> <td><img src=bitmaps/Lotoole15.jpg height=140 style="{border:1px #a52a2a solid;}" hspace="5"></td> <td><img src=bitmaps/Lotoole14.jpg height=140 style="{border:1px #a52a2a solid;}" hspace="5"></td> </table> </td> <!--#a52a2a--> </tr> </table> <br> <!-- TEXT --> </td> </tr> </table> <!-- 11 --> </td> <!-- <td valign=top> <script type="text/javascript"><!-- google_ad_client = "pub-6893636064297864"; google_alternate_color = "800000"; google_ad_width = 120; google_ad_height = 600; google_ad_format = "120x600_as"; google_ad_type = "text"; google_ad_channel = ""; google_color_border = "FFFFFF"; google_color_bg = "9e1d08"; google_color_link = "FFFFFF"; google_color_text = "ffffff"; google_color_url = "ffffff"; google_ui_features = "rc:0"; </script> <script type="text/javascript" src="http://pagead2.googlesyndication.com/pagead/show_ads.js"> </script></div> </td> --> </tr> <tr> <td align="right" class="copyright"> Copyright © 2003 <a href="http://www.corporatenews.com.au/home.php">CorporateNews</a> P/L. 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